When Wall Relief Work is made with POP (Plaster of Paris) it is called POP Relief Work and when the same is made with fiberglass it is called Fiber Relief Work. The technique is expensive for both POP and Fiber as a choice of material as it involves considerable time in casting the design and chiseling away the background.
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When compared to sculptures a Wall Relief Work saves from forming the rear of a subject and is less fragile and more securely fixed than a sculpture in the round, especially one of a standing figure where the ankles are a potential weak point, especially in stone sculptures.